Nikon F3 + Nikon 24mm f2.8 Ai + Fuji Provia (Rio de Janiero, 2012)

In 2012 I took  a vacation to Rio with my F3 loaded with Fuji Provia and a FM with Ektar. By this point I was fully enamored with shooting film, so much so that I decided to exclusively take film cameras on this trip (my first time doing so). I was also very much enjoying using these two manual focus Ai Nikon Bodies and took a lens selection of the 24mm f2.8 (non-ai version Ai’d), 35mm f2.8 Ai and a 50mm f1.8 Series E. I find this to be a decent travel set-up (so much so I took almost the same gear on my 2017 trip to Utah save for the 24mm which I decided to swap out for a 20mm), although the bodies are made out of metal, the lenses are so small and relatively light, that overall its less weight then I’d have normally taken with digital gear.

I must admit I felt a little uneasy about not taking my DSLR (which was a D90 at the time). What if the X-Rays fogged my film? What if I didn’t nail the shot and didn’t realise until later? These fears proved to be misguided (the film went through 6 X-Ray scanners to no visible detriment) and my decision was also helped by the fact that the year before when traveling with a friend in Belize we had a load of camera gear  stolen. He had all of his digital gear taken, whereas I lucked out, in the sense that they only went in the top of my bag and stole my F100 and another 50mm Series E lens.  If they’d have rummaged further they’d have found my D90 and lenses. I figured taking older film cameras would make them less desirable to steal and make me stand out a bit less.

One thing I completely misjudged was how much film I should take. I can’t remember exactly how many rolls I’d bought, but put it this way, now in 2017 I still have rolls left from this trip sitting in my freezer. This error I guess was all part of the transition to shooting film. The limitations of the number of shots per roll has made me have a higher value on each shutter press. So naturally I take less photos. But hopefully a better percentage of good ones. I estimated the quantity of film needed based on the digital shots I’d taken on a similar trip which proved a schoolboy error.

As for the photos, looking back on them I enjoy them greatly. The fantastic sunlight of Rio brought out the best of the Ektar, especially around sunset. I love the gradient of how the highlights are blown out as the sun is setting on the mountains of Rio in two of the pictures below. I find this behaviour much more pleasing than digital. As for the Provia – well I’ve had pretty inconsistent results with slide film in general, really down to me not exposing it well (see last picture in the below series). I took it on this trip as a bit of a trial, and to be honest my only regret is not choosing to take some black and white film instead.

Nikon FM + Nikon 35mm f2.8 Ai + Kodak Ektar (Rio De Janiero, 2012)

Nikon F3 + Fuji Provia (Isla Grande, 2012)

Nikon F3 + Nikon 24mm f2.8 Ai + Fuji Provia (Rio De Janiero, 2012)

Nikon F3 + Nikon 35mm f2.8 Ai + Fuji Provia (Rio De Janiero, 2012)

Nikon F3 + Nikon 50mm f1.8 Series E + Fuji Provia (Rio De Janiero, 2012)