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Category: fuji velvia 100

Glacial Waters

Bronica SQ + 50mm f3.5 + Fuji Velvia 100 (Glacier National Park, USA)

This above is a shot of Iceberg Lake in Glacier National park. Its nearly a 5 mile hike to this spot, but it these crystal clear waters were definitely worth it. I’d debated not bothering to take the Bronica with me and just sticking with my digital Nikon D7100. However stubbornly I took it and put up with the extra weight in my backpack. I find this constantly a tough decision when on hiking trips, as I do really enjoy capturing images like this on medium format, but traveling with a MF body and a couple of lenses along with a DSLR (+ lenses) does sometimes feel like overkill. For my next trip (which is to Zion National Park) I’m going to take one of my Zeiss Ikon folding cameras instead to save on weight. Maybe I should go the opposite way, and just take the Bronica instead!

This was the first roll of medium format slide film I’d used. To be honest I think I would’ve been better off using Ektar instead for its latitude, as I clearly didn’t nail the exposures as well as Velvia would like (an getting a bit of a purple tint that I’ve tried to edit out digitally). That being said I think the way it captures the crystal clear water in the photo above is great and to be honest the time of day these were all shot (mid afternoon) was not really good light to shoot with.

Here are some more shots with the Bronica from the trip (all with velvia 100).

Iguazu Falls Close Up

Nikon F3 + Nikon 50mm f1.8 Series E + Fuji Velvia 100 (Brazil, 2012)

Ah yes, the purple tones of underexposed velvia…

Iguazu

Nikon F3 + Nikon 35mm Ai f2.8 + Fuji Velvia 100 + Processed and scanned by Peak Imaging (Argentina, 2012)

Lake District

Bronica SQ-A + Zenzanon 80mm f2.8 + Fuji Vevlia 100 + Epson v500 Scanner (Cumbria, 2016)

I’d not been to the lake district since a child, so I gathered some mates and drove up there with the aim of climbing Scarfell Pike (Englands highest mountain). The scenery driving into the park was magical, there was dense mist and fog hanging off the hills, with sheep sauntering nonchalantly by the side (and in) the road. As we drove further in, along the side of Wastwater lake, I was stunned by symmetry created by the reflection and the mist.

Whilst I enjoy this picture, it highlights to me again how Velvia is not a forgiving film to use. This image was maybe underexposed by a stop and a third, and thats what adds the purple bias in the colours. I think I made the mistake of metering this photo from my Nikon D7100 in matrix mode, when spot would have been much more appropriate. Will the increasing cost of processing E6 and my lackluster results with slide film to date, this may be the last roll of Velvia I shoot for a while.

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