Filmlad

Menu Close

Category: kodak tmax 100

Lightbox Monday #3 – Underground

Nikon F3 + Nikon 24mm f2.8 Ai + Kodak TMax 100 (London, 2011)

Whilst Canary Warf is a place I almost never go, its tube station is pretty impressive. It was designed by British Architect legend Norman Foster and was opened in 1999 and is worth a visit if you can think of any other reason to goto Canary Warf. The tones of TMax capture it well, however I can’t believe I scanned it with so much dust on the negative. Its certainly a candidate for a rescan when I get time. Also its one I developed myself, probably with Ilfotec HC, in the Imperial College darkroom. I’m about to start developing my own black and white film once more in my new flat. I don’t think I ever mastered the process before and got relatively inconsistent results but I’m going to focus this time on trying to get better. I think as well I’ll try to settle down on one B&W film to use as I’ve never really got into the habit of just using one for more than a few rolls. I haven’t fully decided which one yet but the tones from this TMax scan are making me lean this way.

Nikon F5 First Impressions

Nikon F5 + Nikon 50mm Series E f1.8 (Shropshire, 2017)

Its been a while since my last post due to moving flat and many other things. In that time I’ve made a few impulse purchases from eBay, one of which being the mighty Nikon F5. Its remarkable that today you can buy a camera that was the best in the world in 1996, today, for a little over a hundred quid.

I’ve run two rolls through it so far, using mainly the 50mm Series E Ai lens, which is of course manual focus. I’ve been pleasantly surprised using my Ai lenses with this camera. The 100% viewfinder is bright and easy to focus with. The metering with these is only spot and center weighted, which is OK, and I wonder if it was a technical or purely a product decision to remove the matrix metering the F4 had with these. As for the handling, its a relatively heavy camera, but coupled with small light lenses like the Series E 50mm f1.8, it honestly doesn’t feel too burdensome to carry round. 

These photos are from a roll of TMax 100 I’ve had sitting in my freezer for years from a short trip up to the family farm. I had them processed by a lab and scanned them myself with an Epson v500. Whilst these shots were pedestrian for a camera of the F5’s spec, the main thing that I could appreciate is the ergonomics of this camera. It fits in the hand just right, is so well balanced, and has controls in what feels like the most intuitive place. They must have got it right, because over 20 years later every camera Nikon has made since then looks and feels pretty much the same as this. 

Nikon F5 + Nikon 50mm Series E f1.8 (Shropshire, 2017)

Nikon F5 + Nikon 50mm Series E f1.8 (Shropshire, 2017)

Nikon F5 + Nikon 50mm Series E f1.8 (Shropshire, 2017)

Fog in Frisco

Bronica SQA + Zenzanon 50mm PS + Kodak Tmax 100 (San Francisco, 2013)

© 2017 Filmlad. All rights reserved.

Theme by Anders Norén.