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Lightbox Monday #9 – Barbican Brutalism

Nikon F5 + Nikon 50mm f1.8 AFD + Kodak TMax 400 (London, 2017)

Nikon F5 + Nikon 50mm f1.8 AFD + Kodak TMax 400 (London, 2017)

Nikon F5 + Nikon 20mm f4 Ai + Kodak TMax 400 (London, 2017)

Nikon F5 + Nikon 20mm f4 Ai + Kodak TMax 400 (London, 2017)

Nikon FM Camera Review

The Nikon FM captured on Ilford Delta 100.

The Nikon FM is a fully manual all mechanical SLR body released by Nikon in 1977 and was produced for 5 years until 1982. It takes pretty much all lenses Nikon has ever made (the AI tab has a switch so it can flip up to use non-Ai lenses) that feature an aperture ring, provides 60/40 centre weighted metering and comes with a standard K split prism focusing screen. As for other features, its pretty simple. The shutter goes upto 1/1000 and it also has a self timer. 

I bought this camera around 2012 for around £50 and I still own it today 4 years later (checking eBay for recent sales I see them between £60-80 – another example of how analogue photography’s continuing popularity is keeping prices rising above inflation). At the time I was enjoying using an F3 as my main film body, but this was usually loaded with colour film and I wanted another film SLR to use for black and white. This fit the bill pretty well, especially because it was cheaper than an F2, weighted less and less bulky. 

Nikon FM + Nikon 35mm f2.8 + Kodak TMax 100 (NYC, 2012)

The ergonomics of the body are great in their simplicity. This is a body designed before the era of hand grips but still feels natural in the hand and despite the fact that its all made out of metal its not all that heavy at 590 grams. Thats 115 grams less than the F3 and over 200 grams less than an F2! Its easy to see why this camera was favoured by pros as their backup body. Compared to the higher spec’d Nikon F line the main drawback I find with the FM is the lack of 100% viewfinder coverage. Its actually 93% and whilst its still reasonably bright it is one of the big things I notice during use. I think once you get used to 100% finders its hard to go back. 

Nikon FM + Nikon 50mm f1.8 Series E + Kodak Ektar (NYC, 2012)

The other thing I’m not such a big fan of is the meter and its LED displays with just – 0 + because I’d prefer to see how much I’m over or under on a continuous scale. Thats a minor gripe though and overall its been a very dependable camera on the trips to NYC, Nashville, Utah and Brazil. With modern cameras with so many different features and modes, its nice going back to the basics and having to manually focus and physically set the shutter and aperture slows you right down before pressing the shutter. The self timer is really the only other feature I need – its quite handy if I want to be in the shot. Generally when I give this camera to a friend to take my photo it comes out mis focussed so if I have a tripod with me its safer to set up the self timer.

Nikon FM + 35mm Ai f2.8 + Kodak Ektar (Iguazu Falls, 2012)

Nikon FM + Nikon 35mm f2.8 Ai + Kodak Portra 160 (Rio de Janeiro, 2012)

Nikon FM + Nikon 35mm f2.8 Ai + Kodak Portra 160 (Rio de Janeiro, 2012)

Overall the camera comes highly recommended. Its probably the best choice if you want a full metal manual Nikon on a small budget.

Ring of Kerry in Monochrome

The below images are from a roll of TMax 400 loaded in my Bronica SQA during my recent trip to Ireland (see trip report and colour images here).  Most of the images below are from the Cliffs of Kerry near Portmagee with the final one being from the Blarney Castle. The overcast and foggy nature of most of the trip I think lent itself quite well towards monochrome photography.


Family Portraits with the Bronica SQ-A

Whilst portraits are not something I do often, I’ve been trying to do more of my friends and family. Medium format film captures so much detail enabling all the character of a persons face to be recorded. The 80mm f2.8 lens is also a good performer and can create a nice and shallow depth of field to make the image pop. Below are 3 generations of the Walmsley family – my Brother, Father and Grandfather.

Michael

Anthony

Matthew

 

Yosemite National Park

I recently purchased Ansel Adams: In the National Parks and its a thoroughly inspirational and enjoyable book. I’ve also been reading up again on the zone exposure system he devised for B&W photography with the aim of improving my exposures for my next trip somewhere wild. For now I have revisited the series of images I captured on my Bronica SQA with Kodak TMax 400 film during my 2013 trip to Yosemite. Its an incredible landscape and the Bronica was a joy to use in capturing it. 

Bronica SQ + Zenzanon 80mm f2.8 + Kodak TMax 400 (Yosemite CA, 2013)

Bronica SQ + Zenzanon 80mm f2.8 + Kodak TMax 400 (Yosemite CA, 2013)

Bronica SQ + Zenzanon 50mm f3.5 + Kodak TMax 400 (Yosemite CA, 2013)

Bronica SQ + Zenzanon 80mm f2.8 + Kodak TMax 400 (Yosemite CA, 2013)

Bronica SQ + Zenzanon 50mm f3.5 + Kodak TMax 400 (Yosemite CA, 2013)

Bronica SQ + Zenzanon 50mm f3.5 + Kodak TMax 400 (Yosemite CA, 2013)

Bronica SQ + Zenzanon 150mm f4 + Kodak TMax 400 (Yosemite CA, 2013)

 

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